He focalised his work on a modern and lively reproduction of those admire features. To decorate his architectural structures, Piermattei used the ancient fresco technique consisting of powders and pigments bonded with glue and concrete. This colorful aspect is firstly a tribute to the great Italian masters, and it immediately recalls the decorative cycle of Assisi painted by Giotto and Cimabue, not to mention the giant, graceful and light-colored clouds which dominate the ceilings of Giambattista Tiepolo.
The idea behind his work is the need to restore Art’s primary position as a determinate and invasive element, both in private and social environments. Such role is essentially the opposite of what happened during the last century, when Art was confined into the mere frame of bourgeoisie’s villas white walls.
